Plan Juridique Essays - DraftBedroom, Chteau De Bois-Briand

Plan Juridique Cette partie du dossier se divise en trois parties : ? Les caract?ristiques de la SARL ? Les caract?ristiques de la g?rance, ? Les formalit?s et obligations l?gales ? suivre, ? Les statuts de la SARL ? Le Jardin des Muses ?. Nous avons choisi de cr?er une soci?t? ? responsabilit?s limit?s pour deux raisons principales : ? la responsabilit? des associ?s est limit? ? leurs apports et n'exige pas de condition de capacit? particuli?re, ? le g?rant minoritaire b?n?ficie des avantages du r?gime social des salari?s. Le capital social que nous apportons provient de comptes d'?pargne, de pr?ts personnels et de la vente d'un bien immobilier h?rit?. Le total des apports se monte ? un million de francs. 1. La S.A.R.L. 1.1. Caract?ristique de la SARL C'est une soci?t? ? caract?re mixte : ? La personne des associ?s est prise en consid?ration et le capital de la soci?t? est divis? en parts sociales, librement cessibles entre associ?s. Elles le sont cessibles ? des tiers s'il y a consentement de la majorit? des associ?s repr?sentant les 3/4 du capital social. ? La responsabilit? des associ?s est limit?e ? leurs apports, ce qui la rapproche des soci?t?s de capitaux. Pour assurer une garantie aux tiers, la loi exige un capital minimal. La SARL est la seule soci?t? qui est institu?e par un contrat conclu entre deux ou plusieurs personnes (50 au maximum). 1.2. Le Contrat de Soci?t? (article 1108 du Code civil) 1.2.1. Conditions g?n?rales de validit? du contrat de soci?t? Consentement et capacit? Les associ?s ne sont pas commer?ants, donc seule la capacit? de faire des actes civils est n?cessaire. Un incapable peut souscrire des parts sociales par l'interm?diaire de son repr?sentant l?gal. L'acte est consid?r? comme un placement de capitaux. Les ?trangers ne peuvent ?tre g?rants d'une SARL que s'ils sont titulaires d'une carte de commer?ant ?tranger. Toutefois, les ressortissants des pays membres de la CEE sont dispens?s de cette obligation. ?La nullit? de la soci?t? ne peut r?sulter ni d'un vice du consentement, ni de l'incapacit? des associ?s ? moins que celle-ci n'atteigne tous les associ?s fondateurs? (article 360, loi du 24 juillet 1966). L'objet et la cause Conform?ment ? l'article 1126 du Code civil, l'objet du contrat est ? la chose qu'une partie s'oblige ? donner ou qu'une partie s'oblige ? faire ou ? ne pas faire ?. Ce sont donc les apports faits par les associ?s qui devraient constituer l'objet de la soci?t?. L'objet doit ?tre d?termin?, possible et licite. D?signation La SARL est d?sign?e par une d?nomination sociale, suivie de l'indication : ?Soci?t? ? responsabilit? limit?e? ou SARL, et du montant du capital social. 1.2.2. Les conditions de forme Le contrat de soci?t? doit ?tre formul? par ?crit : c'est ? le pacte social ?. Il constitue par la suite les statuts de la soci?t?. La n?cessit? d'un ?crit s'impose en raison de la complexit? du contrat, mais de plus il permet : ? de constituer une preuve de l'existence de la soci?t? ; ? de servir de support ? la publicit? qui est faite pour informer les tiers de son existence ; ? de demander l'immatriculation de la soci?t? au RCS. Les mentions suivantes doivent obligatoirement figurer dans les statuts : ? forme juridique, dur?e, d?nomination sociale, si?ge social, objet, montant du capital social ; ? ?valuation de chaque apport en nature s'il y en a ; ? r?partition des parts entre associ?s ; ? mention du d?p?t des fonds correspondant aux apports en num?raire ; ? mention de la lib?ration des parts sociales. D'autres clauses sont pratiquement indispensables. Elles pr?cisent, par exemple : ? les pouvoirs des g?rants ; ? le mode de consultation des associ?s ; ? la r?partition des r?sultats, etc. L'acte peut ?tre authentique ou sous seing priv?. 1.2.3. Les conditions sp?cifiques au contrat de soci?t? Deux conditions d?coulent de l'article 1832 du Code civil : la n?cessit? des apports ? la soci?t? de chacun des associ?s et leur participation aux r?sultats de l'entreprise alors qu'une troisi?me condition r?sulte de la jurisprudence : l'? affectio societatis ?. Les apports Ce sont les biens, l'argent, ou l'activit? que les associ?s doivent apporter ? la soci?t? ; en r?mun?ration de leurs apports, ils re?oivent des parts sociales appel?es ? actions ?. En g?n?ral, les droits obtenus sont proportionnels au montant des apports. L'apport en num?raire est la somme apport?e par l'associ? en esp?ces, ch?que ou virement, ? la soci?t?.

How to work hard without being a pushover

How to work hard without being a pushover If you’re like most of us, you’re dedicated to doing your absolute best at work- day in and day out- in order to prove to yourself, your colleagues, and to anyone else who’s paying attention that you not only deserve the position you’re in but that you have every intention of moving as high up your career ladder as possible. After all, who doesn’t like a hard worker? This often means that you not only give 100% effort on all of your work tasks and responsibilities, you also make every effort to help those around you- after all, smart employees know that a rising tide lifts all boats. It never hurts to gain a little good sentiment among coworkers, who hopefully see you as a strong link on the team chain and are more than willing to return the favor when needed. However, the truth is that this sort of good-natured and well-intentioned approach to work often comes at a price, and you may have to contend with an onerous species of colleague- the sort wh o will take advantage of your hard-working nature and use it to their self-centered advantage.Does this sound familiar? After spending countless hours toiling away on a long and involved project a scheming colleague swoops in out of nowhere and takes all the credit for your hard work. Does this sort of thing happen often to you? If so, don’t feel too defeated- the truth is, hard workers are often vulnerable to this bad behavior, as unscrupulous and infinitely lazier coworkers seek to capitalize on every opportunity to take advantage of the efforts of others. But that doesn’t mean you should sit idly by and let them take advantage of you.If you’d like to figure out some effective strategies for showing the world that you’re a hard worker who will routinely go above and beyond- but who will not be taken advantage of- consider taking advantage of the following steps.Step 1- DiagnoseThe first step to making positive change, if and when you feel as if you†™re hard work is being taken advantage of, is to recognize that there’s a problem. This often means realizing that there’s a pattern of poor behavior on the part of a colleague- after all, a one-time thing where someone received a little more credit on a work project than they deserved might just be a miscommunication or harmless mistake. But if it continues to occur repeatedly, then it’s a real problem. Once you recognize that there’s an issue, you can begin to mobilize a strategy for dealing with it head on.Step 2- ConfirmThe truth is, sometimes we’re our own worst witnesses to a situation that directly involves us. Why? Because we often simply lack the distance needed to have a completely rational perspective. As a result, it’s helpful in situations like these to either get a second opinion from a trusted colleague or, if not feasible, to try our best and take a step back from the situation in an effort to objectively confirm that what we think is happening actually is. After all, the last thing you want to do is accuse a colleague of taking advantage of your hard work when it isn’t really happening (talk about awkward!).Step 3- Confront (Carefully)For most people, this is the trickiest step, and for good reason. Once you’ve diagnosed and confirmed the problem, the only way to effect positive and lasting change is to confront the situation- but be sure to proceed with caution. There is a broad spectrum of approaches you can take, depending on how pervasive the situation is, as well as your relationship with the person in question and your position and standing at work- as well as theirs. After all, how you handle this situation if it was a subordinate taking advantage of your hard work vs. your boss behaving this way will likely be vastly different.This is why proceeding with caution is so essential. If feasible, try tactfully communicating your feelings regarding the situation to the person in quest ion. Best case scenario, with minimal effort you nimbly eradicate the bad behavior. If this approach fails, then it may be time to step up your efforts, but don’t jump from a 1 to a 10 on the assertiveness scale out of frustration- try incrementally more assertive approaches (we’re NOT endorsing doing anything that will put you or your job in jeopardy here) to send a clear signal that you will not sit by and idly accept your colleague taking advantage of your hard work. It may entail talking to your boss or the other person’s boss about the situation if all else fails, or trying to avoid working directly with them whenever possible.If it’s your boss or a superior who’s taking advantage of you, then the situation is even trickier. Simply put, you’re going to have tread lightly here. If your relationship with the superior in question is strong, you may stand a good chance of fixing the problem; if this isn’t the case, weigh your options and determine the approach that makes the most sense given your situation, always erring on the side of caution.Step 4- ChangeHow you behave moving forward will send a clear indication of how much others can treat you at work. Simply put, people are far less likely to try and take advantage of a colleague who radiates strength and confidence than someone who’s more meek and reserved. Continue your hard work and eagerness to be a team player, but start sending clear signals that you’re not a person to be underestimated or mistreated. Whenever possible, try and protect your work from the involvement of others, and claim fair credit for your work when you can. Trust us, if handled properly people will start to get the message and will think twice before trying to take advantage of you- you may even garner some newfound respect from others in your work orbit.

Definition and Examples of Target Domain in Metaphor

Definition and Examples of Target Domain in Metaphor In a conceptual metaphor, the target domain is the  quality or experience described by or identified with  the source domain. Also known as the  image recipient. In Introducing Metaphor (2006), Knowles and Moon note that conceptual metaphors equate two concept areas, as in ARGUMENT IS WAR. The term source domain is used for the concept area from which the metaphor is drawn: here, WAR. Target domain is used for the concept area to which the metaphor is applied: here, ARGUMENT. The terms target and source were introduced by George  Lakoff and Mark Johnson  in Metaphors We Live By (1980).  Although the more traditional terms tenor and vehicle (I.A. Richards, 1936)  are roughly equivalent to target domain and source domain, respectively, the traditional terms fail to emphasize the interaction between the two domains.  Ã‚  As  William P. Brown points out, The  terms target domain and source domain  not only acknowledge a certain parity of import between the metaphor and its referent but they also illustrate more precisely the dynamic that occurs when something is referenced metaphorically- a superimposing or unilateral mapping of one domain on another (Psalms, 2010). See Examples and Observations below. Also see: Cognitive LinguisticsConceptual BlendingConceptual DomainMetaphorical ClusterTenorWhat Is a Metaphor? Examples and Observations The Two Domains The two domains that participate in conceptual metaphor have special names. The conceptual domain from which we draw metaphorical expressions to understand another conceptual domain is called source domain, while the conceptual domain that is understood this way is the target domain. Thus, life, arguments, love, theory,  ideas, social organizations, and others are target domains, while journeys, war, buildings, food, plants, and others are source domains. The target domain is the domain we try to understand through the use of the source domain. - Zoltan Kovecses, Metaphor: A Practical Introduction. Oxford University Press, 2001   ​Target and Source Domains in LOVE IS A JOURNEY Metaphorical concepts fulfill all their functions . . . through a network of metaphorical expressions. . . . [T]ake the following example: Conceptual metaphor:LOVE IS A JOURNEYMetaphorical expressions:this relationship is foundering,we are going nowhere,this relationship is a dead-end street,we are at a crossroads, etc. . . . Metaphors connect two conceptual domains: the target domain and the source domain. In the course of metaphorical processes the source domain corresponds to the target domain; in other words, there is a mapping or a projection between the source domain and the target domain. The target domain X is understood in terms of the source domain Y. For example, in the case of the metaphorical concept mentioned above, LOVE is the target domain whereas JOURNEY is the source domain. Whenever JOURNEY is mapped onto LOVE, the two domains correspond to each other in a way which enables us to interpret LOVE as a JOURNEY. - Andrs Kertà ©sz, Cognitive Semantics and Scientific Knowledge. John Benjamins, 2004Mappings -  The term mapping  comes from the nomenclature of mathematics. Its application in metaphor research basically means that features from a  source domain (e.g. OBJECTS) are mapped onto a target domain (e.g. IDEAS). The term metaphorical expression refers to the surface realization of such a cross-domain mapping which is virtually what the term metaphor used to refer to (Lakoff 1993:203).(Markus Tendahl, A Hybrid Theory of Metaphor. Palgrave Macmillan, 2009)  Ã‚  Ã‚  It is possible for two different parts of a sentence to make use of two distinct metaphorical mappings at once. Consider a phrase like, within the coming weeks. Here, within makes use of the metaphor of time as a stationary landscape which has extension and bounded regions, whereas coming makes use of the metaphor of times as moving objects. This is possible because the two metaphors for time pick out different aspects of the target domain.(George Lakoff, The Contemporary Theory of Metaphor, Metaphor and Thought, ed. by A. Ortony. Cambridge University  Press, 1993)

What do the sounds in White Noise foreshadow Essay

What do the sounds in White Noise foreshadow - Essay Example This may mean his work has enhanced his art to, a significant level, or his work has accomplished larger commercial achievement than his previous works. This paper analyzes the significance of sounds in White Noise. White Noise made tremendous sales and got terrific reviews all through the career of Don DeLillo. It is straightforward to understand the reasons that made it one of the best fictional works of the time. A number of factors contributed to its superior position over other similar works. They include its crafty satire of academia, advertising, and television, its letter-perfect illustration of the sights and sounds of malls and supermarkets, its ironically humorous structure of the post nuclear household, and expression of events that strongly relate with contemporary Americans. In addition, Don DeLillo has focused more on the need for association between the world, the national communities and the self, survival and the subtle, and culture, than with character. People are technologically oriented, and elements of nature entangled in the riddle of history, therefore, the superhero, the outlaw and the notion of man against other elements exist as fiction in the contemporary world (DeLillo 6). DeLillo’s work illustrates a form of intelligence and suspense, a feeling of the tight-drawn net and widening gyre. White Noise is a story based on a professor of Hitler studies, Jack Gladney, in an institution, in America. The life of the professor with his family is pervaded by the ubiquitous complain of technological advancements. The radio and television offer constant commercials and commentary. This helps unite Jack’s family with the other parts of America in a significant cover of consumerism. The professor is enjoying his life, only indistinctly traumatized by the concern of his ultimate death (DeLillo 8). This changes when a chemical discharge emits a dark cloud of insecticide elements. The in the air poisonous condition makes the professor and his family leave their home. John and his family’s peaceful life are interrupted, in spite, the permission to return to their home one week after the toxic event. His contact with the toxic event makes him concentrate on the probability of his looming death. In addition, her fourth wife is also affected by her concern over death. A possible solution for their fear of death is in the form of medicine that guarantees to deal with the fear of death, Dylar. Jack turns to tremendous solutions to lessen his pain when the medication is unsuccessful. The hum of technology continues to engross Jack all through his troubles. The book is more than a deliberation on death. White Noise is a reflection of the impact of commercialism and technological activities on an individual’s everyday life. The professor is not afraid of his natural demise. It is only after Jack has contact with a manmade disastrous event that he is worried of his unnatural death. The toxic activities seem t o remove excitement about life. The author shows that the white noise engrossing Jack had started to demean his survival. The toxic events make jack conscious of demeaned existence (DeLillo 117). The professor’s associations are characterized by technologically related activities. The ease and comfort provided by all the gadgets encircling John and his family is attractive but dulling in the long run. It conceals the line between projected situations and

PERSONAL STATEMENT FOR UCAS APPLICATION Essay Example | Topics and Well Written Essays - 1000 words

PERSONAL STATEMENT FOR UCAS APPLICATION - Essay Example My mother used to think of this as my best trait as I would always stack my toys neatly after playing with them! Generally speaking, one of the major benefits of studying statistics and mathematics as a basic degree is the variety of career paths it provides. Applications of mathematics and statistic appears in almost all areas of business, economics, science, technology, research, and wherever data is obtained for the purpose of finding information. Statistics has for long been described as the science of making conclusions in the presence of uncertainty. From what I have learned in the preliminary studies statistics and mathematical models can solve problems and analyze circumstances when seemingly there is no obvious result at hand. This amazing nature of statistics appeals me the most. It encourages me to look up more into this field of education. It is thus become my passion to pursue my forthcoming degrees in the said field. The first thought that came into my when I decided to opt for a graduate degree in mathematics and statistics was that of the Queen Mary College, University of London. The Queen Mary University, Kings College London is one of the most esteemed colleges of Britain and I dream to be an esteemed part of its privileged students. Though I am an international student, I am well versed with written and spoken English language. It is therefore no problem for me to comprehend degree courses that would be taught in English. Moreover, having done my 6 of my O’ Levels courses and one A’ Levels course I have a pretty good idea of this British mode of assessment. I have appeared in the examinations set by the mentioned boards and have obtained grades ranging from A’s to C’s. My initial attempt towards pursuing higher studies in mathematics and statistics was by going for the course of ‘Mathematics’ in A’ levels examinations. Regretfully though I obtained a C in the said course. This was much below the standards that I had set for myself. I got even more motivated by this happening and decided to pursue my studies in statistics and mathematics from its basics. In pursuance of my intention to learn mathematics and statistics from its scratch I enrolled myself in the foundation course of ‘Science and Engineering’ at the Queen Mary University. Currently I am working really hard to get the required percentage so that I can get admission into the university degree level. It is only then that I would be able to pursue studies in my desired course. Taking admission into the degree level of Queen Mary University, Kings College of London would therefore be ‘a dream come true’ for me. I plan to work hard to pursue my studies at the college and then pass out to become an established mathematician and statistical analyst. This will enable me to become a successful banker in the years to come and would also increase other chances of employment in the ever challenging corporate world of today. My happy go lucky nature enables to me intermingle with people anywhere I go. At heart I am a fun loving person who loves to dance at the beat of good music. Listening to good music is one of my favorite hobbies. I have very recently started learning guitar from one of my friends. The explorer in me enthusiastically motivates me to travel to different countries and explore new places. During the school days I have been an active participant in extra curricular activities and have taken part in various

Lolita: The Etymology of a Nymphet :: Essays Papers

Lolita: The Etymology of a Nymphet The novel Lolita concerns a relationship characterized by obsession by a middle aged man, Humbert, for a prepubescent girl, Lolita. This fictional relationship has been a source of many questions as to what the writer, Vladimir Nabokov, had in mind when he wrote the novel. Thus, the novel has been looked at from different aspects in attempting to come up with what it portrays. Humbert, in his flowery description of Lolita, uses the word "nymphet" to refer not only to her but also to other girls of her age and characteristics. Little girls that came his way before Lolita, he describes as nymphets too. The purpose of this analysis will be to discover what exactly Humbert refers to as a nymphet in the novel Lolita in relation to the type of image today's society sees as a nymphet with the goal of establishing whether or not the novel portrays the influence of a nymphet. It will attempt to find the similarities and differences between the image of a nymphet that Lolita portrays and the real life image of today. The history of the word "nymphet" in English does not go beyond 1955 when the novel Lolita was published because its first use is in the novel. It was introduced into English by Mr. Humbert Humbert himself. Through his unique sexual perception, Humbert describes the behavior or the sexually luring ability of little girls as unnatural or nymphic: "Now I wish to introduce the following idea. Between the age limits of nine and fourteen there occur maidens who, to certain bewitched travelers, twice or many times older than they, reveal their true nature which is not human, but nymphic (that is, demoniac); and these chosen creatures I propose to designate as "nymphets (16)" Nymphic is adjectival for the noun 'nymph' and the Microsoft Encarta Encyclopedia defines nymphs to be, in "Greek and Roman mythology, lesser divinities or spirits of nature, dwelling in groves and fountains, forests, meadows, streams, and the sea, represented as mortal and beautiful creatures that were sometimes love objects to olympian maidens, fond of music and dancing." They could also be "vengeful and destructive", a character that will be shown to work against Humbert, not physically, but emotionally. Humbert's image of a nymphet is enhanced by the thoughts and memories of Annabel that he harbors. He sees Lolita as a reincarnation of Annabel: "It was the same child - the same frail, honey-hued shoulders, the same silky supple bare back, the same chestnut head of hair" (39). Lolita: The Etymology of a Nymphet :: Essays Papers Lolita: The Etymology of a Nymphet The novel Lolita concerns a relationship characterized by obsession by a middle aged man, Humbert, for a prepubescent girl, Lolita. This fictional relationship has been a source of many questions as to what the writer, Vladimir Nabokov, had in mind when he wrote the novel. Thus, the novel has been looked at from different aspects in attempting to come up with what it portrays. Humbert, in his flowery description of Lolita, uses the word "nymphet" to refer not only to her but also to other girls of her age and characteristics. Little girls that came his way before Lolita, he describes as nymphets too. The purpose of this analysis will be to discover what exactly Humbert refers to as a nymphet in the novel Lolita in relation to the type of image today's society sees as a nymphet with the goal of establishing whether or not the novel portrays the influence of a nymphet. It will attempt to find the similarities and differences between the image of a nymphet that Lolita portrays and the real life image of today. The history of the word "nymphet" in English does not go beyond 1955 when the novel Lolita was published because its first use is in the novel. It was introduced into English by Mr. Humbert Humbert himself. Through his unique sexual perception, Humbert describes the behavior or the sexually luring ability of little girls as unnatural or nymphic: "Now I wish to introduce the following idea. Between the age limits of nine and fourteen there occur maidens who, to certain bewitched travelers, twice or many times older than they, reveal their true nature which is not human, but nymphic (that is, demoniac); and these chosen creatures I propose to designate as "nymphets (16)" Nymphic is adjectival for the noun 'nymph' and the Microsoft Encarta Encyclopedia defines nymphs to be, in "Greek and Roman mythology, lesser divinities or spirits of nature, dwelling in groves and fountains, forests, meadows, streams, and the sea, represented as mortal and beautiful creatures that were sometimes love objects to olympian maidens, fond of music and dancing." They could also be "vengeful and destructive", a character that will be shown to work against Humbert, not physically, but emotionally. Humbert's image of a nymphet is enhanced by the thoughts and memories of Annabel that he harbors. He sees Lolita as a reincarnation of Annabel: "It was the same child - the same frail, honey-hued shoulders, the same silky supple bare back, the same chestnut head of hair" (39).

The Secret of Ella and Micha Prologue

Ella I wonder if I can fly? With the wind and rain in my hair and my arms out to the side of me, it feels like it might be possible. Perhaps if I can get enough courage to jump off the thin ledge, I'll soar away into the night, like a bird with powerful wings. Maybe then I could reunite with her. â€Å"What are you doing?† Micha says, his voice higher than normal. â€Å"Get down from there. You're going to hurt yourself.† His aqua eyes pierce me through the rain and his hands are on the beams above his head, hesitant to climb out onto the ledge. â€Å"I don't think I will,† I say. â€Å"I think I might be able to fly†¦ just like her.† â€Å"Your mom couldn't fly.† He balances onto the railing and glances down at the murky water far below our feet. â€Å"What are you on?† â€Å"I took one of her old pills.† I tip my head back and bask my face in the rain. â€Å"I just wanted to see what it was like for her. Why she thought she was invincible.† He steps down on the beam with his arms spanned out to the side and his clunky boots slip on the wet metal. The lightning flashes above our heads and collides with the earth. â€Å"Your mother didn't know better, but you do.† Bracing one hand on the metal wire above our heads, he extends his other hand toward me. â€Å"Now come over here. You're scaring the shit out of me.† â€Å"I don't know if I can,† I say softly, raising my head back up as I rotate to face him. â€Å"I'm not sure if I want to.† He dares a step closer and his thick eyelashes blink fiercely against the down pour. â€Å"Yes, you do. You're stronger than that.† His hand begs me closer. â€Å"Please, just get over here.† Staring down at the black water, my body starts to drift. â€Å"I swear to God, Ella!† Micha shouts, his tone sharp, his muscles tense. â€Å"Give me your hand!† I snap out of my daze and tangle my fingers with his. His other hand captures my waist and he leads us swiftly back to the railing, lifting me over it. My feet settle onto the concrete of the bridge that is pooled with puddles. Lights on the beams illuminate the night and Micha's car is parked in the middle of the bridge with the driver's door open and the engine and headlights on. He hops over the railing and then his arms are around me, embracing me securely, like he's afraid to let go. For a second, it feels okay, weightless and uncontrolled. I tuck my face into his chest, the wet fabric damp against my chilled skin. The scent of him takes me to a place I wish I could go back to – my childhood. Back when things weren't as heavy because I was too immature to grasp the full reality of life. Micha pulls back and smoothes my wet hair out of my eyes. â€Å"Don't you ever do that to me again. I can't do this without you.† But he needs to figure out life without this perception of me, because I don't know how long I can keep doing it without drowning. â€Å"Micha, I†¦Ã¢â‚¬  The look on his face silences my lips. He knows what I'm about to say – he always does. He is my best friend, my soul mate. In a perfect world, full of roses and sunshine we'd be together, but this world is full of broken homes, drunken fathers, and mothers who give up easily. â€Å"I'm sorry.† I cling to him as I say my final good-bye. â€Å"I didn't want to think anymore. It was just too much and my mind wouldn't slow down. But it's alright now. I can think clearly again.† He cups my cheek, his thumb searing hot as he traces the pad lightly across my cheekbone. â€Å"Next time come to me – don't just run. Please. I know things are hard right now, but it'll get better. We've always made it through every single bad thing thrown at us.† Beads of water trickle in his eyelashes, along his cheeks, over his full lips. There's a shift in the air, one I've felt coming for a long time. His lips part. â€Å"Ella, I love – â€Å" I crush my lips against his, hushing him and melting our bodies together. I allow his tongue to caress mine, letting him suck the rain from my bottom lip and savor the taste of me. We arc into each other, like we can't get enough and heat flows through our drenched clothes, warming my skin. I could let it go on forever, but that would be wrong. The girl he thinks he loves needs to disappear. I don't want tonight to be irreversible, so I pull away, breathing him in one last time. Then I walk away, leaving him on the bridge in the rain, along with the old Ella.